By Rebecca Keegan
LOS ANGELES -- For some it's the Super Bowl, for others Olympic ice hockey - but for many, Oscar producer Neil Meron believes, the season's big game takes place in black-tie.
"The Oscars is a sport," Meron said in an interview Thursday from a small office backstage at Hollywood's Dolby Theatre, where a skeleton crew had assembled to start preparing for the Academy Awards on March 2. "There's the excitement of watching something live, as it happens."
Meron and his partner, Craig Zadan, are returning to produce the Oscars for a second year, this time bringing on Ellen DeGeneres as host for a second time and focusing the show on the theme of movie heroes, from Atticus Finch to Batman. DeGeneres' affable style is a stark contrast to last year's host, Seth MacFarlane, enlisted for his barbed, off-color humor and fan base among younger viewers.
"We want to have something for everybody in the audience to identify with," Meron said of this year's show. "We want to provide the broadest possible entertainment we possibly can."
The duo are counting on DeGeneres' wide appeal and a demographically generous smattering of performers to help lure a TV audience from all quadrants. Second only to the Super Bowl among live TV events, last year's Oscars, which 40.3 million viewers tuned into on ABC, were the highest rated since 2010, and ratings were up 11 percent among those ages 18 to 49.
"The tone is Ellen," Meron said. "Ellen is a brilliant comedian, she is warm, she takes jabs but in a very supportive sort of way. This show will be reflective of how Ellen is."
DeGeneres, who emceed the Oscars once before in 2007, will be responsible not only for setting the show's mood, Meron said, but also for the delicate task of balancing the home audience's attention spans and the Dolby audience's egos.
"Never neglecting the audience in the theater, you want to put on a good show for the people at home," Meron said. "The people in the Dolby are nervous, and as the evening goes on there are more and more losers, and you want to give them a good time and keep things well paced. But you also have to hand out 24 awards."
Not since Gil Cates - who produced the telecast a record 14 times between 1980 and 2008 - has a producing team returned to the Oscars.
According to Meron, the academy would like to return to stability in the Oscar telecast.
"(The academy) felt one of the things the Oscars have been missing has been some sort of continuity," Meron said. "Every year they hire new producers it's a learning curve all over again."